October 23, 2007

Gratuitous Musickal Posting (TM)

The local radio station is currently running a recording of Leopold Mozart's "Hunting" Symphony in G Major (his "Jagdsinfonie"), performed by Donald Armstrong and the New Zealand Chamber Orchestra. (The piece is really more of a concerto for four hunting horns than a symphony.)

I used to have a recording of this piece by Neville Marriner and the Academy of St. Martin's-in-the-Fields that superimposed the sounds of shotguns and dogs in the first movement, as called for in Leopold's score. Armstrong and the boys are doing the same thing here, only it sounds more like cannon-fire.

Speaking of dogs, this is one dog of a piece of musick, and why anybody plays it is a sweet mystery to me. Every time I hear it, I become more firmly convinced that young Wolfgang was taking a dig at the Old Man as much as anybody else with his Ein Musikalischer Spaß ("A Musical Joke").

UPDATE: Now they're playing Georg Philipp Telemann's Concerto in A Major "The Frogs", performed by Philip Pickett and the New London Consort. The violins produce a wonderful effect, like the croaking that fills the woods behind our house after it rains.

I must say again that of all the composers I listen to, Telemann has probably benefited most from the period performance movement. I never liked Telemann as a kid, based on the records Dad had dating from the 50's and 60's. His music seemed slow, sloppy and lugubrious. But under the hands of groups like this one, as well as others like Musica Antiqua Cologne, it really comes alive, singing and dancing.

Posted by Robert at October 23, 2007 02:11 PM | TrackBack
Comments

Neville Marriner, perhaps?

Posted by: pandelume at October 23, 2007 06:04 PM

Yes, yes, of course. Sorry about the dyslexia attack. Post fixed.

Posted by: Robbo the LB at October 23, 2007 09:52 PM

I don't think Mozart was lampooning his father with A Musical Joke, but the mediocre musicians he too often had to suffer. I've never heard Leopold's Hunting Symphony, but Leopold was a fairly competent, if pedantic, composer. In fact, many scholars believe Leopold - an ever shameless promoter of his gifted son - wrote or edited much of Wolfgang's juvenalia. After studying the younger Mozart's lesson notebooks from his time under Padre Giambattista Martini, I'd have to agree with that. Mozart was 15 when he studied counterpoint with Martini, and he was really completely hopeless in the beginning: Aborted fugues with ridiculous subjects and outlandish harmony and the like. Of sourse, he progressed at a phenominal rate.

BTW: The "do, re, fa, mi" theme that underlies the finale of the Jupiter Symphony was a cantus firmus exercise that Martini gave Mozart, so we owe Martini big time for his progress in that area.

Oh, and Leopold Mozart invented the double-dotted note.

I'm just full of it today... Trivia, I mean. ;^)

Posted by: Hucbald at October 24, 2007 11:05 AM